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		<title>Religious Intermixing in Native American Literature : A Study of Tracks and The Last Report at Little Horse</title>
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		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 04 Jun 2025 17:15:35 +0000</pubDate>
				<category><![CDATA[Baobab N°39]]></category>
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					<description><![CDATA[Auteur(s) : Aymar Landry DJOPIE]]></description>
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				Catégorie : <span>Baobab N°39</span>  
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.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#818a91;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#818a91;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}</style>				<p><strong>Auteur(s) : Aymar Landry DJOPIE <br /></strong>Universite Alassane Ouattara <br />aymardjopie@gmail.com</p>
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							<p><strong>Mots-clés : </strong>Amérindiens – Christianisme – Colonisation – Interconnexion –Spiritualité</p>
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							<p><strong>Résumé</strong> : Les questions religieuses cristallisent les positions et sont très souvent sources de tensions et de conflits entre les peuples à travers le monde. De part et d’autre, on assiste à la promotion de chaque idéologie religieuse mettant en mal la cohésion entre les peuples. Dans la littérature amérindienne, le christianisme est souvent perçu comme étant la source de dislocation des peuples autochtones et leurs croyances religieuses. Les personnages religieux, notamment les prêtres apparaissent comme les agents au service de la colonisation. La présente <br />réflexion vise à montrer comment au-delà des divergences, ces deux obédiences religieuses s’interpénètrent et entretiennent des rapports cordiaux. En effet, si le but ultime de toutes religions est de prôner la paix et la cohésion sociale, les tensions entre elles apparaissent absurdes. Dès lors, l’exploration de l’interconnexion entre les religions s’avère intéressante dans la mesure où cela pourrait mieux expliquer le message de tolérance qui découle de cet échange culturel. L’emploi de la théorie postcolonialisme, à travers le concept de l’hybridité, permettra de briser les barrières entre les différentes religions en présence. </p>
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							<p><b>Abstract : </b>The issues of religions are very tricky and are often source of crises and conflicts between communities all over the world. From each part, people promote their own religious ideology threatening cohesion among people. In Native American literature, Christianity is often perceived as the source of Native American dislocation and the disruption of their religious beliefs. The religious characters such as the priests appear as the agents working for colonization.This current reflexion aims at showing that beyond some disagreements and different ways of doing things, these two religions interact, intermix and relate positively. In fact, if the ultimate goal of every religion is to promote peace and social cohesion, the tensions <br />that arouse between them is illogical. Then, the exploration of religious intermixing is of particular interest as it accounts for the message of tolerance and solidarity. The use of postcolonialism theory through the concept of hybridity will help to subvert the barriers between the two different religions in presence.</p>
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		<title>L’écriture romanesque de Saverio Nayigiziki dans Mes transes à trente ans : entre autobiographie et autofiction</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-23-14/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 03 Jun 2025 12:30:56 +0000</pubDate>
				<category><![CDATA[Baobab N°39]]></category>
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					<description><![CDATA[Auteur(s) : Dr EHOUMAN Kouamé Jean-François &#038; M. EHORA Effoh Clément ]]></description>
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							<p><strong>Auteur(s) : Dr EHOUMAN Kouamé Jean-François <br /></strong>Université Alassane Ouattara Côte d’Ivoire <br />E-mail : ehoumankjnf@gmail.com<strong><br />M. EHORA Effoh Clément <br /></strong>Professeur des Universités <br />Université Alassane Ouattara, Côte d’Ivoire <br />ehoraclem@gmail.com</p>
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							<p><strong>Mots-clés :</strong>Autobiographie, autofiction, écriture, autodéfinition, identité collective, Rwanda.</p>
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							<p><strong>Résumé</strong> : Dans son texte introductif à Mes transes à trente ans de l’écrivain rwandais Saverio Nayigiziki, Jean-Paul Kwizera (2009), pose que ce roman est « une autobiographie africaine dont l’ampleur et la teneur sont particulièrement remarquables. […] Il existe, […] dans l’œuvre romanesque de Nayigiziki, une forte dose autobiographique et une volonté délibérée de s’inspirer d’expériences vécues. » Ces propos trouvent leur fondement en ceci qu’à la lecture de cette œuvre, tout porte à croire qu’il s’agit d’une espèce de double fictionnel ou, mieux, d’une représentation de la vie de l’auteur. L’œuvre est, en réalité, inspirée des cinq <br />mois d’escapade de l’auteur suite à la faillite de son commerce. C’est justement pourquoi, écrite entre 1945 et 1948, elle a été initialement publiée, en 1950, sous le titre Escapade ruandaise. Journal d’un clerc en sa trentaine d’années, et plus tard, en 1955, sous celui de Mes transes à trente ans : histoire vécue, mais mêlée de roman. Bien que fortement inspiré de l’expérience individuelle de l’écrivain, ce roman tente de restituer l’histoire d’une collectivité, la vie de tout un peuple, de tout un monde. La technique de la distanciation et la dimension collective du « moi » du narrateur-personnage donnent de traverser nettement la notion de l’autobiographie classique pour aboutir à un (im)possible projet autobiographique. <br />Ainsi, partant du postulat que l’autoreprésentation d’un auteur, dans son œuvre, appelle à une écriture autobiographique, que les modes de représentation de cette forme d’écriture peuvent l’éloigner de sa forme originelle, la présente réflexion ambitionne de montrer que cette autobiographie fictive ou romancée, chez Saverio Nayigiziki, dresse le lit de l’autofiction. </p>
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							<p><b>Abstract :</b>In his introductory text to Mes trances à trente ans by the Rwandan writer Saverio Nayigiziki, Jean-Paul Kwizera states that this novel is an African autobiography whose scope and content are particularly remarkable. [&#8230;] There is [&#8230;]in Nayigiziki&#8217;s novelistic work, a strong dose of autobiography and a deliberate desire to draw inspiration from real-life experiences. These statements are based on the fact that when reading the novel, everything suggests that it is a kind of fictional double or, better, a representation of the author&#8217;s life. The work is, in reality, inspired by the author&#8217;s five-month escapade following the bankruptcy of his business. This is precisely why, written between 1945 and 1948, it was initially published in 1950 under the title: Escapade ruandaise. Journal d&#8217;un clerc en sa trentaine d&#8217;années, and later, in 1955, under the title: Mes trances à trente ans histoire vécue, mais mēlée de roman. Although strongly inspired by the writer&#8217;s individual experience, this novel attempts to restore the history of a community, the life of an entire people, of an entire world. The technique of distancing and the collective dimension of the narrator-character&#8217;s self allow us to clearly cross the notion of classical autobiography to arrive at an (im)possible autobiographical <br />project. Thus, starting from the postulate that the self-representation of an author, in his work, calls for autobiographical writing, that the modes of representation of this form of writing can distance it from its original form, the present study aims to show that this fictional or fictionalized autobiography, in the case of Saverio Nayigiziki, sets the stage for autofiction.&nbsp;</p>
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		<title>Autour de La traçabilité du héros dans Amazoulou de Condetto Nenekhaly-Camara</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-23-13/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 03 Jun 2025 12:29:01 +0000</pubDate>
				<category><![CDATA[Baobab N°39]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10218</guid>

					<description><![CDATA[Auteur(s) : ATTE Doffouchi Lydwine]]></description>
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							<p><strong>Auteur(s) : ATTE Doffouchi Lydwine, <br /></strong>Université Alassane Ouattara <br />atteapoucou@gmail.com <strong><br /></strong></p>
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							<p><strong>Mots-clés :</strong>héros, traçabilité, conquête, bravoure, destin, démesure</p>
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							<p><strong>Résumé</strong> : Le héros de Condétto Nénékhaly-Camara est un personnage illustre qui <br />S’appréhende à travers des procédés discursifs et auctoriaux, ainsi que dans <br />l’accomplissement de ses nobles idéaux. En tant que personnage de fatum, ses <br />missions sacerdotales, œuvre du destin, donnent prise à l’étalage de sa bravoure et <br />de sa détermination. À cet effet, il fait montre d’un engagement exceptionnel en <br />vue de la grandeur de son peuple. Le pouvoir, la gloire et le bien-être de sa tribu, <br />sont des leitmotivs qui motivent le héros dans sa quête de bâtir une nation forte.</p>
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							<p><b>Abstract :</b>The hero of Condétto Nénékhaly- Camara is an illustrious character who <br />is captured through discursive and autorial processes, as well as in the <br />accomplishment of noble ideals. As the main character, his actions showcase his <br />bravery and determination. To this end, he shows an exceptional commitment to <br />the greatness of his people. The power, glory and well-being of his tribe are <br />leitmotifs that motivate the hero in his quest to build a strong nation.</p>
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		<title>The Paradox of the Cross in Richard Wright’s Native Son</title>
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		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 03 Jun 2025 12:26:26 +0000</pubDate>
				<category><![CDATA[Baobab N°39]]></category>
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					<description><![CDATA[Auteur(s) : Eben-Ezer FOFANA &#038; Koffi Eugène N’GUESSAN]]></description>
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							<p><strong>Auteur(s) : Eben-Ezer FOFANA, <br /></strong>Doctorate Student<strong><br />Koffi Eugène N’GUESSAN, <br /></strong>Associate Professor <br />Universite Alassane Ouattara<strong><br /></strong></p>
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							<p><strong>Mots-clés :</strong>cross of Christ, redemption, reconciliation, crossroads of understandings, Ku <br />Klux Klan, paradoxes.</p>
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							<p><strong>Résumé</strong> : Dans Native Son, deux pensées controversées soulignent la réflexion de Wright sur la religion. D&#8217;une part, certains personnages considèrent la religion comme une source de réconfort émotionnel et spirituel, ce qui permet de l&#8217;interpréter comme un symbole de rédemption et de compassion. D&#8217;autre part, Bigger Thomas, le protagoniste principal, en vient à penser que la religion est un outil d&#8217;exploitation des Noirs, qui se satisfont de leur traitement ici-bas dans l&#8217;attente d&#8217;un meilleur traitement dans l&#8217;au-delà. Dans cet article, je démontre que <br />la croix, qui est l&#8217;un des principaux symboles de la religion chrétienne, est un symbole de souffrance et de damnation pour les Noirs, surtout lorsque la croix du Christ et celle du Ku Klux Klan se confondent, devenant un carrefour de sens et de paradoxes pour Bigger Thomas. D&#8217;un point de vue déconstructif, je montre finalement dans quelle mesure la croix peut être un bienfait pour la communauté noire, selon la religion judéo-chrétienne.</p>
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							<p><b>Abstract : </b>In Native Son, two controversial thoughts underline Wright&#8217;s reflection on religion. On the one hand, some characters consider religion to be a source of emotional and spiritual comfort, which allows it to be interpreted as a symbol of redemption and compassion. And on the other hand, Bigger Thomas, the main protagonist, comes to believe that religion is a tool for exploiting black people, who are satisfied with their treatment here on earth in the expectation of better treatment in the afterlife. In this article, I demonstrate that the cross, which is one of <br />the main symbols of the Christian religion, is a symbol of suffering and damnation for blacks, especially when the cross of Christ and that of the Ku Klux Klan become one and the same, turning as a crossroad of meaning and paradoxes for Bigger Thomas. From a deconstructive standpoint, I ultimately show the extent to which the cross can be a benefit for the black community, according to the Judeo-Christian religion.&nbsp;</p>
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		<title>Womanist Reading of Amma Darko’s Faceless</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-23-11/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 03 Jun 2025 12:24:02 +0000</pubDate>
				<category><![CDATA[Baobab N°39]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10216</guid>

					<description><![CDATA[Auteur(s) : Maweta TRAORE]]></description>
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							<p><strong>Auteur(s) : Maweta TRAORE <br /></strong>mammitraore@gmail.com <br />Université Alassane Ouattara (Bouaké, Côte d’Ivoire)</p>
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							<p><strong>Mots-clés : </strong>Patriarchy, sexism, exploitation, domination, womanism, suffering.</p>
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							<p><strong>Résumé</strong> : Ce travail analyse avec la complicité d’Amma Darko à travers son roman Faceless, la condition précaire des femmes africaines. Il expose comment la société Africaine rend la situation des femmes africaines désespérantes et pathétiques. Ainsi à travers la vie Maa Tsuru, Baby T and Kabria, la condition pathétique de la vie des femmes Africaines dans la communauté Africaine est parfaitement mis à nu. Faisant face cette domination et exploitation, le womanism aide à démontrer la souffrance de la femme africaine dans la société africaine. </p>
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							<p><b>Abstract : </b>This work analyses with the complicity of Amma Darko through her novel Faceless, the precarious condition of African women. It exposes how African society makes African women’s plight very pathetic. so, through Maa Tsuru, Baby T and Kabria life, the pathetic living condition of African women in the African community is well presented. Facing that domination and exploitation womanism helps demonstrate the suffering of African women in African society. </p>
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		<title>Devirilizing Men through Women’s Liberation in Modern African Societies: A Feminist Reading of Amma Darko’s Beyond the Horizon.</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-23-10/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 03 Jun 2025 12:21:26 +0000</pubDate>
				<category><![CDATA[Baobab N°39]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10215</guid>

					<description><![CDATA[Auteur(s) : Adissa BAGATE]]></description>
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							<p><strong>Auteur(s) : Adissa BAGATE <br /></strong>Doctoral student <br />Alassane Ouattara University <br />bagateadissa@gmail.com<strong><br /></strong></p>
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							<p><strong>Mots-clés :</strong>Africa, tradition, gender, feminism, changes, autonomy, revaluation, power</p>
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							<p><strong>Résumé</strong> : Cet article est basé sur le roman Beyond the Horizon de la féministe Ghanéenne Amma Darko. Il vise à montrer la nécessité de la reconstruction des valeurs culturelles en vue de créer la paix et l’harmonie dans les relations entre hommes et femmes en Afrique. Vu qu’il accorde de l’importance à la représentation de la femme dans les sociétés Africaines moderne, l’analyse concerne également le féminisme Africain une théorie qui met à la lumière la capacité et la sagesse des femmes Africaines qui savent se relever et se reconstruire. </p>
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							<p><b>Abstract :</b>This article focuses on Beyond the Horizon (1995) the debut novel of the Ghanaian feminist Amma Darko. In this novel she makes a polemic analysis of patriarchal African traditional systems through the story of the chaotic life of an innocent and green village woman victim of the traditional systems of Naka her village. In this novel, Darko visualizes a certain disempowerment of men as solution against gender inequality and women’s subjugation. This article aims at showing the necessity of cultural reconstruction for a peaceful relation between men and women. Examining, a special and valuable representation of female gender in modern African societies, the analysis concerns also the African feminism <br />that articulates African women’s sagacity and capacity to turn their oppression into <br />opportunity. </p>
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		<title>Les bizarreries chez François Jacob : De la relecture du mode opératoire de la nature aux enjeux du bricolage artificiel</title>
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		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 03 Jun 2025 12:18:58 +0000</pubDate>
				<category><![CDATA[Baobab N°39]]></category>
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					<description><![CDATA[Auteur(s) : KOUASSI Kouakou Gilbert Klarck Ruben]]></description>
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							<p><strong>Auteur(s) : KOUASSI Kouakou Gilbert Klarck Ruben <br /></strong>Université Alassane Ouattara <br />kouassiklarck@gmail.com</p>
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							<p><strong>Mots-clés :</strong>Bizarrerie-bricolage moléculaire- bricolage artificiel- évolution- génome- thérapie <br />génique-</p>
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							<p><strong>Résumé</strong> : L’analyse des bizarreries observées dans l’évolution met en lumière un processus non linéaire, imprévisible et souvent improvisé. Jacob démontre que l’évolution procède d’un &#8220;bricolage moléculaire naturel&#8221; où le hasard et la contingence jouent un rôle central. L&#8217;homme, à son tour, adopte ce principe pour justifier son propre &#8220;bricolage artificiel&#8221; à travers des technologies bio-nanotechnologiques, cherchant à façonner le vivant pour des objectifs spécifiques. Cependant, ce bricolage artificiel du vivant soulève des questions éthiques et sociétales importantes qui se rapportent à la santé, à la sécurité, à l’équité et à <br />divers autres domaines de la vie. Face à cela, il est impératif d’établir des normes éthiques et des régulations adaptées. Un débat inclusif, impliquant l’Etat, la société civile et les spécificités socioculturelles, est nécessaire pour réfléchir à la manière dont nous naviguons entre les bizarreries naturelles et les bricolages artificiels, tout en assumant les responsabilités qui en découlent. </p>
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							<p><b>Abstract :</b>The analysis of the oddities observed in evolution highlights a non-linear, <br />unpredictable, and often improvised process. Jacob demonstrates that evolution is a form of &#8220;natural molecular tinkering&#8221; where chance and contingency play a central role. Humans, in turn, adopt this principle to justify their own &#8220;artificial tinkering&#8221; through bio nanotechnological technologies, aiming to shape life for specific purposes. However, this artificial tinkering of life raises important ethical and societal questions related to health, safety, equity, and various other aspects of life. In light of this, it is essential to establish appropriate ethical standards and regulations. An inclusive debate, involving the state, civil society, and socio-cultural specificities, is necessary to reflect on how we navigate between natural tinkering and artificial tinkering, while assuming the responsibilities that come with <br />them.</p>
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		<title>Sécurité des soins en santé maternelle : pour une gouvernance ethique des risques materno-infantiles dans l’espace sanitaire ouest-africain</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-23-8/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 03 Jun 2025 12:16:04 +0000</pubDate>
				<category><![CDATA[Baobab N°39]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10213</guid>

					<description><![CDATA[Auteur(s) : Andrédou Pierre KABLAN]]></description>
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							<p><strong>Auteur(s) : Andrédou Pierre KABLAN <br /></strong>Université Alassane Ouattara <br />UFR-Communication et Société (CS) <br />Département de Philosophie <br />andredou@yahoo.fr <strong><br /></strong></p>
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							<p><strong>Mots-clés : </strong>Empathie motivationnelle, gouvernance, humanité, promotion éthique, responsabilité, sécurité materno-infantile, risque périnatal. </p>
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							<p><strong>Résumé</strong> : La problématique des risques et décès materno-infantiles associés est un enjeu d’humanité et de sécurité humaine dans l’espace sanitaire ouest-africain. Ses causes sont bien identifiées : les dysfonctionnements organisationnels des soins, l’influence des facteurs socio culturels sur les équilibres périnataux et les fautes d’humanité dans les attitudes professionnelles sont révélés comme des sources d’insécurité qui mettent en péril la sécurité de la vie materno infantile. L’analyse éthique de l’ensemble de ces facteurs conduit à proposer une nouvelle <br />gouvernance de la santé maternelle. Son modèle d’efficacité réside dans la promotion éthique de la sécurité maternelle fondée sur l’empathie motivationnelle qui doit animer la responsabilité des gouvernements, des professionnels de soins, de la société civile et des communautés, c’est à-dire leur capacité d’attention soutenue, leur volonté d’adhérer aux besoins et attentes de la mère et de son enfant, et d’y apporter les solutions appropriées.</p>
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							<p><b>Abstract :&nbsp;</b>The maternal and child risks and deaths is both an issue of humanity and human security in the West African health space. The organizational dysfunctions of care, the influence of socio-cultural factors on perinatal balances and human errors in professional attitudes are clearly identified as the sources of insecurity that jeopardize the safety of the maternal and child life. The ethical analysis of all these factors leads to proposing a new governance of maternal <br />health. Its model of effectiveness resides in the ethical promotion of maternal safety based on motivational empathy which should motivate the responsibility of governments, healthcare professionals, civil society and communities, i.e. their capacity of sustained attention, their willingness to adhere to the needs and expectations of the mother and her child, and provide them with appropriate solutions.&nbsp;</p>
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		<title>Le contexte géopolitique du Saloum au XIXe siècle face aux partisans du jihad, les exemples de Maba Diakhou Ba et d’El Hadj Abdoulaye Niasse</title>
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		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 03 Jun 2025 12:12:12 +0000</pubDate>
				<category><![CDATA[Baobab N°39]]></category>
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					<description><![CDATA[Auteur(s) : Dr Babacar NIANE]]></description>
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							<p><strong>Auteur(s) : Dr Babacar NIANE <br /></strong>Université Iba Der Thiam de Thiès <br />babacar.niane@univ-thies.sn<strong><br /></strong></p>
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							<p><strong>Mots-clés :</strong> islam, enseignement, jihad, géopolitique, éducation</p>
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							<p><strong>Résumé</strong> : Une des recommandations phares de l’Islam, le jihad est un concept très usité dans l’enseignement arabo-islamique en Sénégambie. Il renvoie à plusieurs acceptions, d’où la question controversée autour de son interprétation. Au Sénégal, le précurseur du jihad, dans le sens de guerre sainte, fut, sans doute, Cheikh Omar Fouti Tall qui a brandi son sabre pour la cause de la religion musulmane afin de diffuser ses préceptes et de lutter contre les infidèles. Le choix du sujet s’explique par cette tendance favorable au jihad qui sera reprise plus tard au Saloum dans les régions actuelles de Kaolack et de Kaffrine. Les promoteurs furent, successivement, Maba Diakhou Ba et El Hadj Abdoulaye Niasse. Si le premier était l’Almamy du Rip de par son action dynamique dans le Badibou, le deuxième était un combattant de la foi doublé d’un enseignant pédagogue qui a formé des générations et des générations après son installation dans cette région. Il était venu du Djolof accompagné de sa famille dans le but de soutenir l’Almamy. Alors, la problématique tourne autour du rôle joué par ces deux personnalités religieuses contre les autorités locales païennes et coloniales.&nbsp;</p>
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							<p><b>Abstract : </b>Jihad, one of Islam&#8217;s key recommendations, is a much-used concept in Arab-Islamic teaching in Senegambia. It has several meanings, hence the controversy surrounding its interpretation. In Senegal, the precursor of jihad, in the sense of holy war, was undoubtedly Cheikh Omar Fouti Tall, who brandished his sword in the cause of the Muslim religion to spread its precepts and fight against the infidels. The choice of subject is explained by this trend in favor of jihad, which would later be taken up in the Saloum, in what are now the regions of Kaolack and Kaffrine. The promoters were, successively, Maba Diakhou Ba and El Hadj Abdoulaye Niasse. While the former was the Almamy of Rip through his dynamic action in the Badibou, the latter was a fighter for the faith coupled with a pedagogical teacher who trained generations and generations after he settled in this region. He had come from Djolof with his family to support the Almamy. So, the issue revolves around the role played by these two religious figures against the pagan and colonial local authorities.<b><br /></b></p>
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		<title>Gestion du Pouvoir et conflits sociaux chez Machiavel et Marx</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-23-6/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 03 Jun 2025 12:08:13 +0000</pubDate>
				<category><![CDATA[Baobab N°39]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10207</guid>

					<description><![CDATA[Auteur(s) : KOFFI Kouadio Anicet  &#038; KOUAKOU Thierry Jean Baptiste]]></description>
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							<p><strong>Auteur(s) : KOFFI Kouadio Anicet <br /></strong>Université Alassane Ouattara <br />kkouadioanicet@gmail.com<strong><br />KOUAKOU Thierry Jean Baptiste <br /></strong>Université Alassane Ouattara <br />Cheickyvane01@gmail.com <strong><br /></strong></p>
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							<p><strong>Mots-clés : </strong>Classe sociale- Conflits sociaux- Émancipation- Pouvoir-Pragmatisme </p>
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							<p><strong>Résumé</strong> : Cet article explore la gestion du pouvoir et des conflits sociaux à <br />travers le prisme des points de vue contrastés de Machiavel et Marx, deux <br />personnalités majeures de la philosophie politique et sociale. D&#8217;un côté, <br />Machiavel adopte une vision pragmatique et réaliste du pouvoir. Pour lui, il est <br />essentiel de maîtriser les tensions sociales, malgré leur caractère inéluctable, <br />afin de maintenir la stabilité politique. <br />Marx examine les conflits sociaux d&#8217;un point de vue historique et matérialiste. <br />Il considère ces groupes sociaux comme le moteur de l&#8217;histoire, résultant des <br />conflits entre différentes strates sociales, en particulier entre la bourgeoisie et le <br />prolétariat dans un cadre capitaliste. <br />Nous nous appuierons sur les approches analytico-critique et comparatives <br />pour démontrer que ces deux éminents philosophes, loin d&#8217;avoir des <br />perspectives divergentes en termes de gestion, convergent dans leur pratique. <br />Car leur philosophie est axée sur le bonheur humain et la stabilité de la société. <br />C&#8217;est grâce à cette réflexion qu&#8217;on estime essentiel de moderniser leur pensée <br />dans un univers quotidiennement assailli par les crises et les conflits. </p>
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							<p><b>Abstract : </b>This article explores the management of power and social conflict <br />through the prism of the contrasting perspectives of Machiavelli and Marx, two <br />major figures in political and social philosophy. On the one hand, Machiavelli <br />adopts a pragmatic and realistic view of power. For him, it is essential to <br />control social tensions, despite their inevitability, in order to maintain political <br />stability. <br />In contrast, Marx examines social conflict from a historical and materialist <br />perspective. He considers these social groups as the driving force of history, <br />resulting from conflicts between different social strata, particularly between the <br />bourgeoisie and the proletariat within a capitalist framework. <br />We will draw on analytical and comparative approaches to demonstrate that <br />these two eminent philosophers, far from having divergent perspectives in <br />terms of management, converge in their practice. Their philosophy is focused <br />on human happiness and societal stability. It is thanks to this reflection that we <br />consider it essential to modernize their thinking in a world daily assailed by <br />crises and conflicts. </p>
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