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	<title>Baobab N°38 Archives - Revue Baobab</title>
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		<title>IRELAND AND ENGLAND: A NEW HISTORICIST REFLECTION ON CONFLICTING DISCOURSE IN JONATHANCOE’S THE ROTTERS’ CLUB.</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 14 Nov 2024 20:21:32 +0000</pubDate>
				<category><![CDATA[Baobab N°38]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10079</guid>

					<description><![CDATA[Auteur(s) : SILUE Ténéna Mamadou]]></description>
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				Catégorie : <span>Baobab N°38</span>  
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			<style>/*! elementor - v3.11.2 - 22-02-2023 */
.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#818a91;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#818a91;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}</style>				<p><strong>Auteur(s) : </strong><strong>SILUE Ténéna Mamadou</strong></p>
<p>Senior Lecturer</p>
<p> British Literature and Civilisation</p>
<p>English Department</p>
<p>Université Alassane Ouattara (Côte d’Ivoire)</p>
<p>Email: silue_tenena@yahoo.com</p>
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							<p><strong>Mots-clés : </strong>Anti-Englishness, Animosity, Britishness, New historicism, Irish Republican Army</p>
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							<p><strong>Résumé</strong> : Cet article explore la manière dont les discours coloniaux anti-anglais du peuple irlandais ont exacerbé l&#8217;animosité entre l&#8217;Irlande et l&#8217;Angleterre dans <em>The Rotters&#8217; Club</em> de Jonathan Coe.  L&#8217;héritage du colonialisme anglais est jugé négativement en Irlande. Les nationalistes irlandais ont le plus souvent recours à des discours haineux et à un sentiment anti-anglais pour se remémorer leurs souvenirs historiques avec l&#8217;Angleterre. L&#8217;article examine comment les discours anti-anglais des nationalistes irlandais ont entravé l&#8217;union (réconciliation) entre l&#8217;Angleterre et l&#8217;Irlande du Nord et affecté leur sentiment d&#8217;appartenance à une identité britannique. S&#8217;appuyant sur le postulat du nouvel historicisme de Louis Montrose (1989 : 24), qui considère un texte littéraire comme une autre forme de signification sociale et historique, l&#8217;article évalue tout d&#8217;abord les discours anti-anglais de la fiction de Coe comme une pratique sociale et culturelle construite des relations entre les Anglais et les Irlandais tout au long de l&#8217;histoire. Il montre ensuite comment les discours haineux entre les deux nations ont provoqué des divergences de vues sur le sens de la nationalité britannique.</p>
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							<p><b>Abstract : </b>This paper explores how the Irish people’s anti-English colonial discourses have exacerbated the animosity between Ireland and England in Jonathan Coe’s <em>The Rotters’ Club.</em>  The legacy of English colonialism is negatively deemed in Ireland. The Irish nationalists most often have recourse to hateful discourses and anti-English sentiment to recollect their historical memories with England. The aim of this paper is to examine and consider how the Irish nationalists’ anti-English discourses have hampered the union (reconciliation or inclusion) between England and Northern Ireland and affected their sense of belonging to Britishness. Building on Louis Montrose’s (1989: 24) postulation of New Historicism that considers a literary text as another form of social and historical significance, the paper first evaluates Coe’s fiction anti-English discourses as a social and cultural constructed practice of the English and Irish people’s relations throughout history. Then it shows how hateful speeches between the two nations have caused divergent views on the sense of British nationality.</p>
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		<title>THE CONTRIBUTION OF ENGLISH TO THE SOCIO-ECONOMIC DEVELOPMENT OF COTE D’IVOIRE</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-22/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 14 Nov 2024 20:18:52 +0000</pubDate>
				<category><![CDATA[Baobab N°38]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10080</guid>

					<description><![CDATA[Auteur(s) : Dr. Lankan Mathieu KONE]]></description>
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							<p><strong>Auteur(s) : </strong><strong>Dr. Lankan Mathieu KONE </strong></p>
<p><a href="mailto:Konemathieu8@gmail.com"><strong>Konemathieu8@gmail.com</strong></a></p>
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							<p><strong>Mots-clés : </strong>asset, contribute, development English, promotion, socio-economic.<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : La Côte d’Ivoire est un pays Ouest-Africain utilisant le français comme langue officielle. Cette langue est utilisée comme principal moyen d’instruction et d’interaction. Cependant, l’anglais est connu comme le principal moyen d’échanges et de business au niveau international. Dans l’économie mondiale, l’anglais est reconnu comme une valeur-ajoutée ayant favorisée le développement économique des pays tels que la Chine et le Pakistan (…). Le principal objectif de cette étude est de mener une  investigation en vue de montrer que la promotion de la langue anglaise peut contribuer au développement socio-économique de la Côte d’Ivoire. Cette étude sera basée sur la théorie de l’économie du language. Recourant aux données de l’approche qualitative pour mener notre étude, il ressort que la promotion de la langue anglaise en Côte d’Ivoire pourrait contribuer au développement socio-économique de ce pays car cette langue est dotée de valeureux atouts au niveau social et economique.</p>
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							<p><b>Abstract : </b>Côte d’Ivoire is a Western-Africa country using French as official language. This language is used as the main medium of instruction and interactions. However, currently in the world, English is known as the main international valuable medium of exchange and business.  In the world economy, English is recognised as an added-value that has favoured the socio-economic development of countries like China and Pakistan (…). The main purpose of this paper is to conduct an investigation in order to pinpoint how English promotion in Côte d’Ivoire may contribute to its socio-economic development. In the trends of this analysis, our focus will be based on the economics of language theory. Resorting to a qualitative data approach to lead this study, the results underscores that English promotion in Côte d’Ivoire may be advantageous and contribute to this country’s socio-economic development because this global language is endowed with valuable healing assets at social and economic levels.</p>
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		<title>LANGUAGE AND THE SHAPING OF WOMEN’S IDENTITY IN HAROLD PINTER’S THE LOVER</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-21/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 14 Nov 2024 20:14:22 +0000</pubDate>
				<category><![CDATA[Baobab N°38]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10077</guid>

					<description><![CDATA[Auteur(s) : Wandja Fatoumata TUO]]></description>
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							<p><strong>Auteur(s) : </strong>Wandja Fatoumata TUO</p>
<p>Alassane OUATTARA University</p>
<p><a href="mailto:Wandjita5@gmail.com">Wandjita5@gmail.com</a></p>
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							<p><strong>Mots-clés : </strong>gender, roles, identity, language, mimicry, power dynamics, stereotypes.</p>
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							<p><strong>Résumé</strong> : Les langages dramatiques ont joué un rôle déterminant dans la construction de l&#8217;identité des femmes anglaises du vingtième siècle. Les dramaturges ont créé des langages qui aident à définir, redéfinir et dissimuler les identités des personnages féminins dans leurs pièces. Par conséquent, en s&#8217;appuyant sur le concept féministe de “mimétisme” de Luce Irigaray, cette étude examine <em>The Lover</em> d’Harold Pinter. Elle soutient que <em>The Lover</em> de Pinter dépeint le langage comme un moyen d&#8217;expression intrinsèquement masculin qui façonne et reflète les stéréotypes à l&#8217;encontre des femmes. L’article analyse d’abord la pratique discursive des personnages masculins comme l’incarnation de la dynamique du pouvoir et le renforcement des rôles traditionnels de genre. Il met ensuite en lumière la manière dont les personnages féminins ont réussi à remettre en question les constructions sociétales masculines dominantes et à trouver leur force et leur autonomie dans leur propre expression.</p>
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							<p><b>Abstract : </b>Dramatic languages have played an instrumental role in the construction of the twentieth century English women’s identity. Playwrights have deployed languages that help create, define, redefine and conceal female characters’ identities in their plays. Therefore, drawing on Luce Irigaray’s feminist concepts of “Mimicry”, this study examines Harold Pinter’s <em>The Lover</em>. It argues that Pinter’s <em>The Lover </em>depicts language as an inherently masculine means of expression which shapes and reflects the stereotypes against women. The paper first analyses male characters’ discursive practice as the embodiment of the power dynamics and the reinforcement of traditional gender roles. Then, it sheds light on the way in which female characters have succeeded in challenging the dominant male’s societal constructs and find agency and empowerment in their own self-expression.</p>
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		<title>A CRITICAL ANALYSIS OF METAPHORS AND INCLUSIVE    LANGUAGE IN PRESIDENT GEORGE WEAH’S SPEECHES</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-20/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 14 Nov 2024 20:11:04 +0000</pubDate>
				<category><![CDATA[Baobab N°38]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10076</guid>

					<description><![CDATA[Auteur(s) : Dr. Kouadio Ange Michael N’GUESSAN]]></description>
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							<p><strong>Auteur(s) : Dr. Kouadio Ange Michael N’GUESSAN</strong></p>
<p>Université Péléforo GON COULIBALY</p>
<p><a href="mailto:angemicky2013@gmail.com">angemicky2013@gmail.com</a></p>
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							<p><strong>Mots-clés : </strong>Context, discourse, language, linguistic, metaphors, qualitative<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : Le langage est un outil puissant, manié par son utilisateur, capable de favoriser l&#8217;unité ou d&#8217;inciter au conflit. Il possède la double capacité d&#8217;établir un terrain d&#8217;entente ou de déclencher une guerre. Dans le contexte d&#8217;une société post-conflit, le rôle du langage devient particulièrement crucial, car les dirigeants politiques utilisent son pouvoir pour gérer le processus délicat de la paix et de la réconciliation. A travers une analyse qualitative, cet article examine les outils linguistiques utilisés par le président George Weah pour promouvoir la paix et la réconciliation dans le contexte d&#8217;un Liberia post-conflit. Le comportement linguistique de George Weah est analysé à la lumière de l&#8217;analyse critique du discours de Norman Fairclough. L&#8217;analyse montre que la langue joue un rôle essentiel dans la promotion de la paix et de la réconciliation dans un environnement post-conflit. George Weah utilise des outils linguistiques spécifiques tels que les métaphores et le langage inclusif dans le processus de promotion de l’unité et de la réconciliation.</p>
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							<p><b>Abstract : </b>Language is a powerful tool wielded by its user, which can either promote unity or incite conflict. It has the dual ability to create common ground or instigate war. In the context of a post-conflict society, the role of language becomes particularly crucial as political leaders use its power to manage the sensitive process of peace and reconciliation. Through a qualitative method of data collection, this article examines metaphors and inclusive language employed by President George Weah in promoting peace and reconciliation in the context of a post-conflict Liberia. George Weah’s linguistic behaviour is analysed in the light of Norman Fairclough’s approach to Critical Discourse Analysis. The investigation shows that language plays a vital role in promoting peace and reconciliation in a post-conflict environment. George Weah employs specific linguistic devices including metaphors and inclusive language in the process of promoting unity and reconciliation.</p>
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		<title>INVESTIGATING VIOLENT LANGUAGE: MIMETIC DESIRE, GENDER NORMS, AND ACTS OF VIOLENCE IN SHAKESPEARE’S ROMEO AND JULIET</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-19/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 14 Nov 2024 20:06:30 +0000</pubDate>
				<category><![CDATA[Baobab N°38]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10073</guid>

					<description><![CDATA[Auteur(s) : Dr Affoua Evelyne DORE]]></description>
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							<p><strong>Auteur(s) : Dr Affoua Evelyne DORE</strong></p>
<p>Assistant Professor in British Studies</p>
<p>Department of English, Université Alassane Ouattara (Côte d’Ivoire)                                  evelyne.dore7@gmail.com</p>
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							<p><strong>Mots-clés : </strong>gender, language, mimetic desire, violence, norm.<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : Cette étude s’appuie sur les cadres théoriques du désir mimétique de René Girard et des actes illocutoires de John Searle pour étudier le langage violent dans la pièce et ses relations avec les normes de genre et le désir mimétique dans <em>Roméo et Juliette</em>. À travers une analyse du discours des personnages, la recherche dévoile comment les attentes de la société en matière de masculinité et le désir mimétique des individus engendrent de la rivalité et de la violence. Dans le monde d’aujourd’hui, où la société fait l’expérience de la violence sous toutes ses formes, la sensibilisation aux facteurs qui sous-tendent le langage violent est une nécessité pour résoudre les conflits modernes.</p>
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							<p><b>Abstract : </b>This study focuses on the theoretical frameworks of René Girard’s mimetic desire theory and John Searle’s illocutionary acts to investigate violent language in the play and its relationships with gender norms and mimetic in <em>Romeo and Juliet</em>. Through an analysis of the character’s discourse, the research unveils how society’s expectations of masculinity and individuals mimetic desire create rivalry and violence. In today’s world where society experiences violence in all its forms, sensitization about the factors behind violent language is a must to resolve modern conflict.</p>
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		<title>AN ENUNCIATIVE ANALYSIS OF THE DISCOURSE OF INSULT IN CHIMAMANDA ADICHIE’S PURPLE HIBISCUS</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-18/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 14 Nov 2024 20:02:40 +0000</pubDate>
				<category><![CDATA[Baobab N°38]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10078</guid>

					<description><![CDATA[Auteur(s) : N’da Adjoua Eve KOUASSI]]></description>
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							<p><strong>Auteur(s) : N’da Adjoua Eve KOUASSI</strong></p>
<p><a href="mailto:evenda787@gmail.com">evenda787@gmail.com</a></p>
<p>Université Alassane OUATTARA</p>
<p>Doctorate candidate</p>
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							<p><strong>Mots-clés :</strong> discourse, enunciation, identity, insult, self, subjectivity</p>
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							<p><strong>Résumé</strong> : Cette étude vise à analyser le discours de l&#8217;insulte dans le roman <em>Purple Hibiscus</em> écrit par Chimamanda N&#8217;gozi Adichie. Dans le roman, le discours de l&#8217;insulte est tenu par le père de Kambili, papa Eugene, qui ne manque pas d&#8217;occasions de rabaisser toute sa famille en l&#8217;insultant. L&#8217;étude utilise le cadre de la théorie de l&#8217;énonciation de C. Kerbrat-Orecchioni (2009) et la méthode descriptive qualitative pour dévoiler la subjectivité qui se cache derrière le discours de l&#8217;insulte. L&#8217;analyse des modalités utilisées dans ce discours montre que l&#8217;auteur de l&#8217;insulte met toujours une distance entre lui et la personne à qui l&#8217;insulte est adressée en lui renvoyant une image et une identité mélioratives de lui-même. Ainsi, le locuteur de l&#8217;insulte apparaît comme un individu meilleur que l’interlocuteur, la personne insultée. Il y a donc une subjectivité cachée derrière le discours de l&#8217;insulte qui positionne le moi au-dessus de l&#8217;autre.</p>
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							<p><b>Abstract : </b>This study aims at analysing the discourse of insult in the novel <em>Purple Hibiscus</em> written by Chimamanda N’gozi Adichie. In the novel, the discourse of insult is performed by the father of Kambili, papa Eugene, who does not miss opportunities to demean his whole family by insulting them. The study uses the framework of C. Kerbrat-Orecchioni’s (2009) enunciation theory with a descriptive qualitative method to unveil the subjectivity that lies behind the discourse of insult. The description of subjectivity markers used in this discourse demonstrates that the performer of the insult sets a distance between him/her and the person the insult is addressed to conveying to the speaker a meliorative image and identity. As such, the performer appears to be a better individual than the addressee, the person who is insulted. Thus, there is a subjectivity hidden behind the discourse of insult which positions the self over the other.</p>
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		<title>EMOTIONS IN DONALD TRUMP’S DISCOURSE</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-17/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 14 Nov 2024 19:59:31 +0000</pubDate>
				<category><![CDATA[Baobab N°38]]></category>
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					<description><![CDATA[Auteur(s) : Franck Wilfried Dapley LIGBET]]></description>
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							<p><strong>Auteur(s) : Franck Wilfried Dapley LIGBET</strong></p>
<p>Doctorate candidate</p>
<p>Université Alassane OUATTARA</p>
<p><a href="mailto:franckwili2013@gmail.com">franckwili2013@gmail.com</a></p>
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							<p><strong>Mots-clés : </strong>demonization, emotion, emphasis, language, rhetoric, self-presentation.</p>
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							<p><strong>Résumé</strong> : L&#8217;étude porte sur la mise en relief de l&#8217;émotion au moyen de stratégies et items d&#8217;emphase dans le premier discours de campagne présidentielle de Donald Trump en 2015. Dans le but d&#8217;influencer les jugements de valeur de leurs auditeurs, les orateurs politiques emploient un langage émotif au moyen de marqueurs d&#8217;emphase. La rhétorique de Donald Trump est basée sur la transmission d&#8217;émotions. L&#8217;objectif de cette étude est de mettre en exergue les procédés emphatiques du langage émotif de Donald Trump. À la lumière des présentations intra-groupe et extra-groupe de la théorie de l&#8217;analyse critique du discours de Van Dijk (2008), l&#8217;analyse a révélé que Donald Trump utilise des stratégies grammaticales et rhétoriques d&#8217;emphase comme instruments de langage émotif afin de véhiculer différentes émotions dans le but de persuader ses auditeurs.</p>
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							<p><b>Abstract : </b>The study focuses on emotion and some of its strategies in Donald Trumps’s first presidential campaign speech in 2015. In order to influence the value judgements of their listeners, political speakers use emotive language through emphasis markers. Donald Trump&#8217;s rhetoric is based on the conveyance of emotions. In his first presidential campaign speech in 2015, he used some markers of emphasis to convey and elicit emotion from his listeners, presenting himself as a saint while demonizing his opponents. In light of V. Dijk&#8217;s (2008) in-group versus out-group presentation techniques in his CDA approach, the analysis revealed that Donald Trump uses grammatical and rhetorical strategies of emphasis as instruments of emotive language to convey different emotions in order to persuade his listeners.</p>
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		<title>REDEFINITION DISCOURSE AS A TOOL OF EXCLUSION IN ADICHIE’S HALF OF A YELLOW SUN</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-16/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 14 Nov 2024 19:56:51 +0000</pubDate>
				<category><![CDATA[Baobab N°38]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10064</guid>

					<description><![CDATA[Auteur(s) : Bi Boho LIZIE]]></description>
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							<p><strong>Auteur(s) : Bi Boho LIZIE</strong>,</p>
<p>  Doctoral candidate</p>
<p><strong>Université Alassane Ouattara <br />   <a href="mailto:biboholizie@gmail.com">biboholizie@gmail.com</a></strong></p>
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							<p><strong>Mots-clés : </strong>discourse, exclusion, identity, language, redefinition, strategy, subject.<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : La redéfinition est un acte qui consiste à donner une nouvelle définition ou une nouvelle posture qui opère un changement à quelque chose qui déjà existe. Cet article décrit le discours de la redéfinition comme une stratégie d’exclusion dans <em>l’Autre Moitié du Soleil</em> d’Adichie. En se servant de la méthodologie de l’identification et de l’interprétation, l’article analyse comment le discours de la redéfinition est employé pour diviser le Nigeria et Biafra. Le résultat révèle le discours de la redéfinition comme le représentatif du discours qui sème la division pour d’autres et une arme pacifique pour ceux qui l’utilisent pour la quête de leur identité et de quiétude. Ainsi, à l’aide de la théorie du sujet divisé de J. Lacan (1966) reposant sur l’énonciation, l’on voit que le discours de la redéfinition est basé sur l’usage de la langue. </p>
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							<p><b>Abstract : </b>Redefinition is an act which consists in giving a new definition or a new posture that triggers a change to an existing thing. This paper describes redefinition discourse as a strategy of exclusion in Adichie’s <em>Half of a Yellow Sun</em>. Using a methodology of identification and interpretation, the paper analyses how redefinition discourse is used to divide Nigeria and Biafra. The result reveals redefinition discourse as the representative of divisive language for others and a peaceful weapon for those who use it for the quest for identity and quietness. Thus, by means of the divided subject theory of J. Lacan’s (1966) underlied in enunciation, one can see that redefinition discourse is based on language use.</p>
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		<title>UP-TONERS IN THE ANIMAL LEADERS’ DISCOURSE FOR THE QUEST OF  TOGETHERNESS IN GEORGE ORWELL’S ANIMAL FARM.</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-15/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 14 Nov 2024 19:51:20 +0000</pubDate>
				<category><![CDATA[Baobab N°38]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10063</guid>

					<description><![CDATA[Auteur(s) : Dr. Kouamé Boris KOUADIO]]></description>
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							<p><strong>Auteur(s) : Dr. Kouamé Boris KOUADIO</strong></p>
<p>Institut National Supérieur des Arts et de l’Action Culturelle</p>
<p>kouadioboris81@gmail.com</p>
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							<p><strong>Mots-clés : </strong>adhesion, altruism, closeness, discourse, populism, sameness. <strong><br /></strong></p>
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							<p><strong>Résumé</strong> : Cet article étudie la rélation entre la langue utilisée lors du discours et et les pratiques sociales dans l’œuvre <em>Animal Farm</em> de George Orwell. Dans la ferme des animaux, les animaux sont dirigés par un ètre humain.appelé Mr Jones. Plus tard, les animaux prétendent que leur maitre les maltraitait. Donc ils décident de se revolter en vue de l’expulser. Dans cet élan, les leaders des animaux ont besoin d&#8217;une adhésion massive en vue d’atteindre leurs objectifs. Alors, ils utilisent un discours incitateur lié à la proximité et l’identité pour avoir l’adhesion de leur audience. L’objectif de ce travail est de montrer comment la langue aide à atteindre notre but à travers la gestion du discours. Cette étude a été possible à travers l’analyse des outils linguistiques et à la lumière de l’analyse critique de discours. La méthode qualitative de collecte des données montre la manière dont le discourse est géré pour expliquer les stratégies populistes dans le discours des animaux.  Finalement, les animaux ont réussi à expulser leur maitre et cela en vue de leur propre leadership.</p>
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							<p><b>Abstract : </b>This paper investigates the relation between language used in discourse and social practices in <em>Animal Farm</em> by George Orwell. In the animal farm, animals are led by a human being named Mr Jones. Animals, in the long run pretend that they are maltreated by man. Therefore, they decide to revolt and expel him. In this endeavour, animals’ leaders need massive adhesion for their objectives to be fulfilled. Then, they resort to up-toners as populist discourse paired with closeness and sameness to get their audience’s adhesion. The objective of this work is to show the extent to which language helps fulfill aims through discourse management. This study is possible through the analysis of linguistic devices in the light of Critical Discourse Analysis approach. Qualitative method of data collection shows the way discourse is managed to account for populist strategies in the animals’ discourse. By the end, animals have succeeded in expelling their master to make room for their own leadership.</p>
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		<title>HUMOR IN AMERICAN POLITICAL NEWSPAPER HEADLINES: A WAY OF TRIGGERING DEVELOPMENT</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9-2-2-14/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 14 Nov 2024 19:47:52 +0000</pubDate>
				<category><![CDATA[Baobab N°38]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=10067</guid>

					<description><![CDATA[Auteur(s) : Prof. Zorobi Philippe TOH, Dr. Kouamé Firmin KOUASSI]]></description>
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			<nav class="woocommerce-breadcrumb"> <div class="container"> <a href="https://revuebaobab.net">Accueil</a><i class="fa fa-chevron-right"></i><a href="https://revuebaobab.net/category/numeros/">Numéros</a><i class="fa fa-chevron-right"></i>Baobab N°38 </div> </nav>		</div>
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				Catégorie : <span>Baobab N°38</span>  
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							<p><strong>Auteur(s) : Prof. Zorobi Philippe TOH</strong></p>
<p><a href="mailto:zorobiphilippe@gmail.com">zorobiphilippe@gmail.com</a></p>
<p><em>Université Alassane OUATTARA</em>   </p>
<p>                       and</p>
<p><strong>Dr. Kouamé Firmin KOUASSI</strong></p>
<p><a href="mailto:kkfrigueur@yahoo.fr">kkfrigueur@yahoo.fr</a></p>
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							<p><strong>Mots-clés :</strong>headlines, humor, irony, newspaper, political, puns, satire.<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : L’humour, bien souvent réduit au rire, à l’amusement et à la comédie pour ne citer que ces représentations humoristiques, en est bien plus. Sans toutefois s’en dissocier, il met l’accent sur le caractère absurde ou insolite de certains aspects de la réalité. L’on en vient alors à le présenter comme étant une forme d’esprit qui se penche sur le comique, le ridicule et l’absurde. Ainsi, l’humour tend à s’illustrer dans la peinture d’une société en proie à la dérive. Dans cet article, l’humour se veut plus qu’un simple outil d’exposition des tares de la société. Il va jusqu’à en appeler à un changement d’ordre social aboutissant au développement. Le changement tant attendu passe par la mise en exergue de certaines formes de l’humour comme l’ironie, la satire et les jeux de mots, visibles dans des titres de journaux politiques tel que <em>T</em><em>he ONION</em>. L’humour sous de telles formes, revêt un caractère curatif. En recourant à l’approche théorique de la pertinence, on familiarise le lecteur avec une façon plus comique se susciter le développement.</p>
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							<p><b>Abstract : </b>Humor, often restricted to laughter, amusement, and comedy to mention but these humoristic representations, is more than that. Without demarcating itself from them, it focuses on absurdity and the unusual of some aspects of real life. One can thus present it as a state of mind that performs what is comic, ridicule, and absurd. Thus, humor endeavors to paint the picture of a society going adrift. In this article, humor is more than a mere tool of exposing society’s shortcomings. It manages to call for a social change. The change so expected is realized through forms of humor like irony, satire, and puns encapsulated in some American political newspaper headlines such as <em>T</em><em>he ONION</em>. Humor of such a kind holds a healing function. So, encapsulating humor in political newspaper headlines provides the reader with funny ways to trigger social change that leads development. With reference to a relevance-theoretic approach, the article explores humor as a way to trigger development.</p>
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