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		<title>Johny chien méchant d’Emmanuel Dongala, un roman chaos</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-9/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 12 Nov 2024 14:35:39 +0000</pubDate>
				<category><![CDATA[Baobab N°37]]></category>
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					<description><![CDATA[Auteur(s) : DOFFOU Marcelle Edith épse AKOUE]]></description>
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				Catégorie : <span>Baobab N°37</span>  
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<p>Université Félix Houphouët-Boigny</p>
<p>de Cocody-Abidjan, Côte d’Ivoire</p>
<p><a href="mailto:dakoueedith@yahoo.fr">dakoueedith@yahoo.fr</a></p>
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							<p><strong>Mots-clés : </strong>Chaos, roman de guerre, réalisme, ordre nouveau, technique scripturaire. <strong><br /></strong></p>
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							<p><strong>Résumé</strong> : Cette réflexion sur <em>Johnny chien méchant</em> vise à montrer ce texte est, à la fois, un roman de guerre et un roman sur la guerre. Par sa technique scripturaire Emmanuel Dongala permet de saisir le chaos dans tout son ampleur. Si certaines catégories narratives sont une peinture réaliste de ce chaos, la diégèse, elle-même en est également un reflet. Toute chose qui laisse dire que ce roman est en somme un roman chaos comme pour signifier que nous les modernes nous nous réclamons du chaos. Mais en réalité, derrière ce chaos se pressent un ordre nouveau. C’est donc une réflexion sur la condition bouleversante l’homme africain.</p>
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							<p><b>Abstract : </b>The reflection on <em>Johnny chien méchant </em>aims at indicating that the text is both a war novel and a novel about war. The scriptural technique of Emmanuel Dongala permits to capture the whole extent of the chaos. If some narrative categories are a realistic painting of that chaos, the diegesis itself is also a reflection of it. This leads to the statement that the novel is therefore a chaos novel meant to say that we, the modern, are claiming origin from the chaos. But in reality, a new order is hidden behind that chaos. This is then a consideration of the upsetting condition of the African man.</p>
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		<title>L’écriture du désastre dans La Vie et demie et L’Etat honteux de Sony Labou Tansi</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-8/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 12 Nov 2024 14:32:18 +0000</pubDate>
				<category><![CDATA[Baobab N°37]]></category>
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					<description><![CDATA[Auteur(s) : Aminatou OUATTARA  ]]></description>
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							<p><strong>Auteur(s) : Aminatou OUATTARA  </strong></p>
<p>Enseignant-Chercheur</p>
<p>Université Félix Houphouët-Boigny (RCI)</p>
<p><strong>amina.ouattara67@gmail.com </strong></p>
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							<p><strong>Mots-clés : </strong>l’écriture, désastre, horreur, dictature, tragique<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : L’étude à mener sur l’écriture du désastre dans la vie et demie et L’État honteux, s’inscrit dans une démarche d’analyse consistant à partir de la trame narrative de relever les problèmes sociopolitiques qui gangrènent la société africaine postcoloniale. Les analyses montrent un corpus maculé par les thématiques de violences et de toutes sortes d’acte au relent tragiques. L’étude souligne une politique dictatoriale dont la gestion est émaillée de drames et de tragédies que sont : les tortures, les meurtres, les hécatombes, les guerres civiles, l’apocalypse…et qui correspond à une réalité sociétale constamment convulsive. C’est cette violence scripturaire qui fonde l’écriture du désastre chez Sony.   </p>
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							<p><b>Abstract : </b>The study to be carried out on the writing of disaster in <em>La vie et demie</em> et <em>L&#8217;État honteux</em> is part of an analytical approach that uses the narrative framework to identify the socio-political problems plaguing post-colonial African society. The analysis reveals a corpus stained by themes of violence and all types of tragic acts. The study highlights a dictatorial policy whose management is peppered with tragedies and tragedies such as, torture, murder, hecatombs, civil wars, apocalypse&#8230; and which corresponds to a constantly convulsive societal reality. It is this scriptural violence that underpins Sony Labou Tansi&#8217;s disaster writing.   <b></b><b></b></p>
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		<title>La pensée proverbiale dans La carte d’identité de Jean-Marie Adiaffi, un maillon à l’esprit de conversation</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-7/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 12 Nov 2024 14:29:32 +0000</pubDate>
				<category><![CDATA[Baobab N°37]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=9973</guid>

					<description><![CDATA[Auteur(s) : Amoin Véronique BOHOUSSOU]]></description>
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							<p><strong>Auteur(s) : Amoin Véronique BOHOUSSOU</strong></p>
<p>Docteur en Grammaire-linguistique du français</p>
<p>Institut National Polytechnique Félix-Houphouët Boigny (INP-HB) de Yamoussoukro, Côte d’Ivoire</p>
<p>Email : <a href="mailto:bohoussouveronique@gmail.com">bohoussouveronique@gmail.com</a></p>
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							<p><strong>Mots-clés : </strong>brachylogie, cohésion-sociale, conversation, interaction, intertextualité, syntaxe serré, proverbe, tour binaire.<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : Le proverbe à valeur de vérité générale et universelle sert d’argument d’autorité lors des échanges communautaires. Ce style serré a été constamment convoqué dans le texte littéraire d’Adiaffi donnant de voir une écriture qu’il qualifie de N’zassa parce que justement fondée sur le mélange de genre. Ouvrant ainsi la voie à une sorte d’intertextualité, or cette pratique aux dires de M. M’henni nous inscrit dans une dynamique de l’esprit de conversation, un pilier de la nouvelle brachylogie, d’où notre intérêt pour cette étude qui est: « La pensée proverbiale dans <em>La carte d’identité</em> de Jean-Marie Adiaffi, un maillon à l’esprit de conversation ».  L’objectif visé à travers cette réflexion est de montrer qu’au-delà de son aspect didactique, instructif, cathartique, la pensée proverbiale a servi de ciment à l’esprit de conversation grâce à son caractère discontinu et interactif. Facilitant ainsi un tour de parole égalitaire, ce style d’écriture a permis aux différents interlocuteurs d’aborder la problématique identitaire. Cette pratique discursive a donné lieu à une entente et a ouvert la voie à une cohésion sociale grâce à la sagesse qu’inspire les proverbes. Véritable langage social, il a concouru au vivre-ensemble, un idéal de la nouvelle brachylogie. La linguistique descriptive et la sociocritique ont été d’un apport capital dans cette analyse. L’on observe que ces pensées proverbiales sont soit d’un rythme ternaire, binaire ou unitaire.</p>
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							<p><b>Abstract : </b>The proverb has a value of general and universal truth and it serves as an argument of authority during community exchanges. This tight style has constantly been invoked in Adiaffi&#8217;s literary text, showing a writing that he describes as ‘‘N&#8217;zassa” because it is precisely based on the mixture of genres. Thus, opening the way to a sort of intertextuality, this practice, according to M. M&#8217;henni, sets us in a dynamic of the conversation spirit, a pillar of the new brachylogy, hence our interest in this study which is: “The proverbial thought in Jean-Marie Adiaffi’s <em>La carte d’identité</em>, a link to the spirit of conversation”. The objective assigned to this reflection was to show that beyond its didactic, instructive, cathartic aspect, the proverbial thought served as cement to the spirit of conversation thanks to its discontinuous and interactive character. Thus, facilitating an egalitarian turn of speech, this style of writing allowed the different speakers to address the issue of identity. This discursive practice gave rise to understanding and opened the way to social cohesion thanks to the wisdom inspired by proverbs. As a true social language, it contributed to living together, an ideal of the new brachylogy. Descriptive linguistics and sociocriticism were a key contribution to this analysis. We observe that these proverbial thoughts are either from a ternary, binary or unitary rhythm.</p>
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		<title>La science contre l’humain: Procès de l’Intelligence Artificielle (IA)</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-6/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 12 Nov 2024 14:26:11 +0000</pubDate>
				<category><![CDATA[Baobab N°37]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=9972</guid>

					<description><![CDATA[Auteur(s) : Dr Fodjo Louis-José KOUAKOU]]></description>
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							<p><strong>Auteur(s) : Dr Fodjo Louis-José KOUAKOU</strong></p>
<p>Université Alassane Ouattara</p>
<p><a href="mailto:fodjolouis@gmail.com">fodjolouis@gmail.com</a></p>
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							<p><strong>Mots-clés : </strong>Intelligence Artificielle, Science, Ethique, Autonomie, Responsabilité, Technologie, Bioéthique<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : Le sujet de réflexion « La science contre l’humain : procès de l’Intelligence Artificielle » (IA) explore les tensions croissantes entre le développement technologique et les valeurs humaines fondamentales. L’Intelligence Artificielle en tant que domaine particulier de l’évolution scientifique en pleine expansion soulève des questions profondes sur son impact sur la nature humaine et la société. L’IA est perçue par des observateurs avisés comme une menace pour la condition humaine. Ce procès interroge la probabilité pour la science et l’innovation technologique de poser des limites, en vue d’une régulation, dans le but de préserver l’humain dans toute sa complexité et son éthique. La quête est de trouver un équilibre entre le progrès technologique et le respect des valeurs humaines fondamentales afin de s’assurer que l’IA serve à enrichir et non à déconstruire l’humain.</p>
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							<p><b>Abstract : </b>The theme « Science vs Humanity: The trial of Artificial Intelligence (AI) » explores the growing tensions between technological development and fundamental human values. AI, as a rapidly expanding field of scientific evolution, raises profound questions about its impact on human nature and society. AI is perceived by some keen observers as a threat to the human condition. This « Trial » examines the likelihood that science and technological innovation will establish boundaries aimed at regulation, with the goal of preserving human complexity and ethics. The quest is to find a balance between technological progress and respect for fundamental human values, ensuring that AI serves to enhance rather than dismantle humanity.<b></b><b></b></p>
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		<title>Ubuntu and Political Correctness in Nadine Gordimer’s No Time like the Present, None to Accompany Me and House Gun.</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-5/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 12 Nov 2024 14:22:50 +0000</pubDate>
				<category><![CDATA[Baobab N°37]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=9971</guid>

					<description><![CDATA[Auteur(s) : Dr. Kouakou Bernard BAMENE]]></description>
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							<p><strong>Auteur(s) : Dr. Kouakou Bernard BAMENE</strong></p>
<p> Université Alassane Ouattara (Cote d’ivoire)                                     <a href="mailto:bamenekouakou1972@gmail.com">bamenekouakou1972@gmail.com</a></p>
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							<p><strong>Mots-clés : </strong>Ubuntu-Politiquement correct- Protagonistes- conflit- Réconciliation.<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : Cette réflexion, basée sur la théorie postcoloniale, aborde la question de l&#8217;« Ubuntu » et du « politiquement correct », deux concepts importants dans la quête de réconciliation. L&#8217;étude se concentre sur l&#8217;influence significative que ces deux pratiques ont eue sur les protagonistes en envisageant le pardon et en renouvelant les relations afin de construire un avenir meilleur dans le contexte de la réconciliation en Afrique du Sud. S&#8217;inspirant de l’œuvre de Nadine Gordimer, cet article souligne l’importance de ces deux concepts dans la résolution des conflits et la réconciliation des différentes parties belligérantes.</p>
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							<p><b>Abstract : </b>This reflection, which draws upon postcolonial theory, seeks to address the issue of “Ubuntu” and “political correctness”, which are two important concepts in the quest for reconciliation. This study considers the significant influence that these two practices have had on the individuals involved in contemplating forgiveness and re-establishing relationships with a view to constructing a more promising future within the context of South African reconciliation. It draws upon the work of Nadine Gordimer to illustrate the crucial role that these two concepts play in resolving conflicts and reuniting the various parties in contention.</p>
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		<title>“New Wars” at Sea: A Critical Analysis of Maritime Piracy off the Coast of Somalia in Stella Rimington’s Rip Tide (2011)</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-4/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 12 Nov 2024 14:19:35 +0000</pubDate>
				<category><![CDATA[Baobab N°37]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=9970</guid>

					<description><![CDATA[Auteur(s) : SILUÉ Nannougou]]></description>
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							<p><strong>Auteur(s) : SILUÉ Nannougou</strong></p>
<p>Alassane Ouattara University, Côte d’Ivoire</p>
<p><a href="mailto:silue_nannougou@yahoo.fr">silue_nannougou@yahoo.fr</a></p>
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							<p><strong>Mots-clés : </strong>Maritime Piracy, Counter-piracy, Multilateral Cooperation, Somalia, Terrorism<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : Cet article analyse la question complexe de la piraterie maritime au large des côtes somaliennes en mettant l&#8217;accent sur la coopération multilatérale des pays occidentaux dans le cadre des efforts de lutte contre la piraterie pour apprivoiser la mer hors-la-loi lorsque la sécurité des nations est en jeu. La piraterie maritime dans la Corne de l&#8217;Afrique constitue un véritable défi sécuritaire et économique qui sape la stabilité régionale. Par conséquent, en s&#8217;appuyant sur la théorie de la narratologie qui s&#8217;intéresse à l&#8217;étude et à l&#8217;analyse des textes narratifs, cet article soutient que <em>Rip Tide</em> de Stella Rimington explore le lien entre les opérations criminelles dans le golfe d&#8217;Aden, l&#8217;océan Indien et la menace internationale de sécurité maritime et de terrorisme. Nous utilisons également le postulat de Stone selon lequel la construction narrative de la réalité est universelle dans la cogitation humaine pour mettre en évidence l&#8217;origine, l&#8217;identité, la motivation première, le modus operandi de la piraterie dans la Corne de l&#8217;Afrique et les stratégies visant à mettre un terme à la nouvelle guerre en mer. </p>
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							<p><b>Abstract : </b>This article analyses the complex issue of maritime piracy off the coast of Somalia with particular emphasis on the multilateral cooperation of the Western countries as a part of counter-piracy efforts to tame the outlaw sea when the security of nations is at stake. Maritime piracy in the Horn of Africa poses a real security and economic challenges that undermine regional stability. Accordingly, drawing on the theory of narratology which is concerned with the study and analysis of narrative texts, this paper argues that Stella Rimington’s <em>Rip Tide</em> explores the connection between criminal operations in the Gulf of Aden, the Indian Ocean and the international maritime security threat and terrorism. And we also use Stone’s postulation that narrative construal of reality is universal in human cogitation to highlight the origin, identity, prime motivation, modus operandi of piracy in the Horn of Africa and the strategies to eventually come to end of the new war at sea.</p>
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		<title>Éco-diplomatie et diplomate dans les relations entre les États du Soudan occidental et d’Afrique du Nord (8e -16e siècle)</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-3/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 12 Nov 2024 14:15:51 +0000</pubDate>
				<category><![CDATA[Baobab N°37]]></category>
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					<description><![CDATA[Auteur(s) : GNAMIEN Kouamé Moïse]]></description>
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							<p><strong>Auteur(s) : GNAMIEN Kouamé Moïse</strong>,</p>
<p>Université Alassane Ouattara</p>
<p>(Bouaké, Côte d’Ivoire)</p>
<p><a href="mailto:kouaemoise@gmail.com">kouaemoise@gmail.com</a></p>
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							<p><strong>Mots-clés : </strong>Diplomatie – État – éco-diplomatie – Émissaire– relations internationales<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : Les États du Soudan occidental qui ont émergé entre le 8<sup>e</sup> et le 16<sup>e</sup> siècle ont eu des relations économiques et diplomatiques avec les États et les royaumes l’Afrique du Nord. Les travaux portant sur les États du Soudant occidental dans les relations internationales au moyen âge demeurent très peu nombreux dans l’historiographie. Ces études, plus descriptives dans leur ensemble ne montrent pas clairement les États impliqués dans les relations diplomatiques du Soudan occidental, les diplomates et leurs missions. Cette étude se propose donc de traiter dans une perspective plus économique, les États en présences, les motivations économiques des missions diplomatiques et des émissaires, et en fin, le contenu de ces missions diplomatiques. L’étude de la diplomatie, des missions des émissaires et de l’éco-diplomatie des États ouest-africains médiévaux est rendu possible grâce aux sources écrites arabo-berbères et africaines.</p>
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							<p><b>Abstract : </b>The Western Sudanese states that emerged between the 8th and 16th centuries had economic and diplomatic relations with the states and kingdoms of North Africa. Works on the States of Western Sudan in international relations in the Middle Ages remain very few in the historiography. These studies, more descriptive as a whole, do not clearly show the states involved in Western Sudan&#8217;s diplomatic relations, the diplomats and their missions. This study therefore aims to treat, from a more economic perspective, the States present, the economic motivations of diplomatic missions and emissaries, and finally, the content of these diplomatic missions. The study of diplomacy, the missions of emissaries and eco-diplomacy of medieval West African states is made possible thanks to Arab-Berber and African written sources.</p>
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		<title>The Impact of African Culture on the English Language Teaching Textbooks and the Learning/Teaching Process in Côte d’Ivoire</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2-2/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 12 Nov 2024 14:10:36 +0000</pubDate>
				<category><![CDATA[Baobab N°37]]></category>
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					<description><![CDATA[Auteur(s) : Siéllé SORO]]></description>
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							<p><strong>Auteur(s) : </strong><strong>Siéllé SORO</strong>, </p>
<p>Université Alassane Ouattara (Côte d’Ivoire) </p>
<p>Email: <a style="background-color: #ffffff;" href="mailto:sorosielle19@gmail.com">sorosielle19@gmail.com</a></p>
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							<p><strong>Mots-clés : </strong>culture, langue, manuels, facilitateur, enseignement, apprentissage<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : Cet article analyse la présence de la culture africaine dans les manuels d’enseignement de l’anglais au cycle secondaire en Côte d’Ivoire; ceci dans l’objectif de vérifier si la présence de la culture africaine est facteur facilitateur du processus apprentissage-enseignement ou non de l’anglais. Pour atteindre cet objectif, un questionnaire a été conçu et administré à un échantillon de cent (100) enseignants dans différentes zones du pays afin de recueillir leur point de vue sur la question. Ainsi, les résultats ont confirmé non seulement la présence de cette culture dans les manuels mais, aussi son rôle de facilitateur du processus d’apprentissage-enseignement de l’anglais en Côte d’Ivoire.     </p>
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							<p><b>Abstract : </b>This article analyzes the presence of African culture in the English language teaching textbooks at the second cycle in Côte d’Ivoire; this with the objective to check whether the presence of the African culture is a facilitating factor of the learning-teaching process or not of the English language. To reach this objective, a questionnaire has been designed and administered to a sample of one hundred (100) teachers in different areas in the country in order to have their point of view about the question. Thus, the results confirm not only the presence of the African culture, but also its role of facilitator of the English language learning-teaching process in Côte d’Ivoire.  </p>
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		<title>Le Bilan à mi-parcours de la stratégie « Sublime Côte D’Ivoire », stratégie touristique ivoirienne 2025 pour la relance du tourisme en Côte D’ivoire</title>
		<link>https://revuebaobab.net/le-genre-poetique-du-signe-abstrait-a-une-poetique-de-la-contemporaneite-11-4-2-8-2-2-6-7-2/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 12 Nov 2024 10:32:51 +0000</pubDate>
				<category><![CDATA[Baobab N°37]]></category>
		<guid isPermaLink="false">https://revuebaobab.net/?p=9943</guid>

					<description><![CDATA[Auteur(s) : Lamine OUATTARA]]></description>
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							<p><strong>Auteur(s) : Lamine OUATTARA</strong>, Conservateur Archiviste /Documentaliste à Africa Global Logistics Côte d’Ivoire Doctorant en Tourisme, Art culture et Développement  à l’IRES-RDEC/INSAAC <a href="mailto:Lamineouattara1914rda@gmail.com">Lamineouattara1914rda@gmail.com</a></p>
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							<p><strong>Mots-clés : </strong>Tourisme, stratégie, « sublime Côte d’Ivoire », bilan<strong><br /></strong></p>
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							<p><strong>Résumé</strong> : Longtemps resté dans la léthargie après les crises politico-militaires qui ont secoué la Côte d’Ivoire pendant plus d’une décennie (2000 à 2011), la destination ivoirienne était devenue infréquentable et méconnue de la scène internationale. Ces crises à répétitions ont impacté l’activité touristique au point où les potentialités touristiques naturelles et culturelles ont été menacées pour leur survie et leur protection. L’amélioration du climat politique depuis 2011, quoiqu’émaillé de petits soubresauts ont permis au tourisme de faire surface. En 2017, sous l’impulsion du Ministère du tourisme, le gouvernement ivoirien a entrepris une stratégie touristique dénommée « Sublime Côte d’Ivoire », stratégie touristique ivoirienne 2025. Alors que nous sommes à une année de la date d’échéance des résultats attendus de cette stratégie, il ne serait pas superflu de dresser un bilan pour en mesurer les forces et les faiblesses mais et éventuellement de dégager un plan d’amélioration.</p>
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							<p><b>Abstract :&nbsp;</b>After being in a state of lethargy due to the political and military crises that shook Côte d&#8217;Ivoire for more than a decade (2000 to 2011), the country became an undesirable and largely forgotten destination on the international scene. These repeated crises had such an impact on tourism that the country&#8217;s natural and cultural tourist assets were at risk of survival and protection. However, the improvement in the political climate since 2011, although occasionally marked by minor disruptions, has allowed tourism to resurface. In 2017, driven by the Ministry of Tourism, the Ivorian government launched a tourism strategy called &#8220;Sublime Côte d&#8217;Ivoire,&#8221; the Ivorian Tourism Strategy 2025. With only one year left before the target date for the expected outcomes of this strategy, it would not be superfluous to assess its strengths and weaknesses and, if necessary, develop an improvement plan.</p>
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